Carlo Cerri

Born in Rome in 1957, Carlo Cerri worked at the Balletto di Toscana from 1989 to 2000 as resident lighting designer. In 2001 he joined the Aterballetto. As a lighting designer, he has collaborated with the Ballet Gulbenkian in Lisbon, Bat Dor in Tel Aviv, English National Ballet in London, Ballett du Capitol de Toulouse, Stuttgarter Ballett, Basel Ballet, Les Grands Ballets Canadiens de Montréal, Ballet Jazz Montréal, National Ballet of China in Beijing, Alvin Ailey Dance Company in New York, Companhia Nacional de Bailado in Lisbon and Ballett Dortmund. He has designed the sets and lighting for the productions Giulietta e Romeo (choreography by Fabrizio Monteverde, Balletto di Toscana), Don Giovanni (choreography by Mauro Bigonzetti, Balletto di Toscana), Barbablù (choreography by Fabrizio Monteverde, Maggio Musicale Fiorentino), Next (choreography by Fabrizio Monteverde, Aterballetto), Caravaggio (choreography by Mauro Bigonzetti, Staatsballett Berlin), Casanova (choreografy by Richard Wherlock, Ballet Basel), Le Sacre (choreography by Mauro Bigonzetti, Aterballetto), La Piaf (choreografy by Mauro Bigonzetti, Staatsoper Hannover), Canto per Orfeo (choreography by Mauro Bigonzetti, Aterballetto), Don Q (choreography by Eugenio Scigliano, Aterballetto), Alice (choreography by Mauro Bigonzetti, Gauthier Dance), Der Prozess choreography by Mauro Bigonzetti, Staatsballett Hannover) and Cinderella (choreography by Mauro Bigonzetti, Teatro alla Scala)